About the Artists:
Basqo Bim is from a rural town in South Carolina and has been living in New Orleans for the past three years.
They are of Colombian origin – their parents immigrated to South Carolina over forty
years ago. Basqo is self-taught and has been making art for seven years. Their brother
was an artist, and he motivated them to take the leap.
Basqo began with drawing, quickly moved to illustration, and then began learning embroidery
and large-scale sculpture. After landing in New Orleans, Basqo’s focus and passion
quickly turned to masking and costuming, and utilizes both old and new skill sets
to build new worlds and shift consensus reality. Material usage consists of both intentionally acquired and recycled / found objects.
Their work is a hybrid of soft sculpture, assemblage, costuming, and masking.
Orly Anan is a Colombian/ Israeli visual artist and Art Director interested in the
mysticism implicated in everyday life, she is currently experimenting with the intersection
of ritual and popular culture, as well as Anthropocosmic Surrealism. Her client list
includes Nike, VH1, Spotify, and Netflix to name a few and her artwork has been exhibited
in museums and galleries across the world including Miami, London, Mexico City and
Toronto. Her immersive installation Salon Delicatessen is currently on view at the Museum of Museums, Seattle. Orly Anan’s artistic research
has led her to explore the traditions of various countries, from Asia to Latin America,
these cultures being her main inspiration. She currently lives and works in Mexico
City.
phlegm is a New Orleans born and based multidisciplinary artist who also penned
the mantra “Everything You Love About New Orleans Is Because of Black People.” seen
on Afropunk, in Interview Magazine, on the marquee at the famous Joy Theater, shared by New Orleans Mayor LaToya Cantrell and on countless lifestyle accessories about his work phlegm writes:
“At this current point, my work serves to exist as a Ritual Drama of my personal Black
universe. It serves to more firmly connect my Black spiritual concept of time. Connecting
the past to the present and the present to the future. Communally sacred. Personally
precious. It attempts to tie all the loose ends of Black ethos, Black influence, Black
inspiration into one braid. It is at its core, an affirmation of life. My life, the
life of my ancestors, and the life of my community. My work (and by extension my life)
makes a production about the necessity and value of Black spiritual presence. A meditation
in duality. It is serious and irreverent, heavy and heavenly, calculated and casual.
It is dual consciousness.”